Show Date	2008-07-19
Location	Salt Lake City UT
Venue	USANA Amphitheatre
Tour	The Police Reunion Tour 2007/08

2008-07-19 SALT LAKE CITY: USANA Amphitheatre / The Police, Elvis Costello sing crowd-pleasin' harmonies at Usana...

Setlist

01	Message In A Bottle
01	Walking On The Moon
02	Demolition Man
03	Voices Inside My Head
04	When The World Is Running Down
05	Don't Stand So Close To Me
06	Driven To Tears
07	Hole In My Life
08	Every Little Thing She Does Is Magic
09	Wrapped Around Your Finger
10	De Do Do Do, De Da Da Da
11	Invisible Sun
12	Can't Stand Losing You
13	Roxanne
14	King Of Pain
15	So Lonely
16	Every Breath You Take
17	Next To You

The Police, Elvis Costello sing crowd-pleasin' harmonies at Usana...

After touring virtually nonstop since May of last year, The Police showed a nearly sold-out crowd at West Valley City's Usana Amphitheatre that their reunion tour is still everything fans expected it to be, more than 20 years since they last played here.

Rather than being exhausted by touring several continents, the three members of The Police - singer and bassist Sting, guitarist Andy Summers and drummer Stewart Copeland - exhibited vigor and energy and even shared a few smiles while they played together. Onstage, the band members belied the rancor that split up the band more than two decades ago.

The trio opened with the one-two punch of 'Message in a Bottle' and 'Walking on the Moon' that kept the audience in the lawn seats on their feet throughout the 100-minute performance that included two encores. Just as good as the quality of the well-crafted songs was the sound system at the Amphitheatre, where you clearly hear Sting's vocals, Summers' licks and Copeland's often inventive percussion.

Avoiding solo tracks recorded by individual band members in later years, the band played 20 songs from the trio's five studio albums, adding slightly different elements to songs, keeping the arrangements fresh. For example, the band's performance of 'Roxanne' was similar to one Sting performed during his solo tours, and 'Wrapped Around Your Finger' featured unique percussion from Copeland, who was surrounded by different percussion instruments including a gong.

The set design wasn't too flashy, with strobes and fluorescent lights dominating but never overshadowing the music. The band was backed by a huge high-definition screen that was so crisp that every hair in Sting's grey beard could be seen. The screen mostly showed the band in action, except for old photos of the band during 'Next to You' and happy poor kids during 'Invisible Sun'.

Elvis Costello was a welcome opener as the sun blazed overhead and right into his eyes; he came on stage with a crack three-piece backing band five minutes before the scheduled showtime of 7:30 p.m. While still finding room to play from his latest album 'Momofuku', his 12-song set featured energetic versions of his best known songs, including 'Watching the Detectives', 'What's So Funny About Peace, Love and Understanding?' and 'Pump It Up'.

The best moment of Costello's set, and arguably the whole concert, was when Sting came onstage to sing harmony with Costello's 'Alison'. It was one of those moments that the audience felt privileged to witness and, it typified the artistry of the night.

© The Salt Lake Tribune by David Burger



2008-07-19 SALT LAKE CITY: USANA Amphitheatre / Police thrill with long-awaited return...

Police thrill with long-awaited return...

More than 25 years after their last appearance in Utah, The Police made a triumphant return to the Beehive State Saturday night to say both hello again and goodbye.

Playing before 15,000 very vocal fans on a warm night at the USANA Amphitheatre, Sting, Andy Summers and Steward Copeland, who have announced they will play their final show ever next month in New York, delivered a hits-heavy set list, fulfilling the appetite of fans who have been waiting for the band to return since the early 1980s.

The band opened with a fairly straight-forward 'Message in a Bottle'. But they played many of their songs with arrangements different from the familiar album versions. Some of those new arrangements included extended jam sessions, which worked exceptionally well on songs like 'Demolition Man', 'Voices Inside My Head/When the World is Running Down, You Make the Best of What's Still Around', 'Driven to Tears' and 'Can't Stand Losing You', which were some of the highlight songs of the evening.

"Are you ready to sing tonight?" the salt-and-peppered bearded and very chiseled Sting asked the audience.

Other new arrangements turned songs into sing-a-longs as the crowd echoed Sting's cries of, "Yeee-ohhh Hoe." Although Sting, who kept a bottle of throat spray and a cup of something (tea?) by his side all night, did not need any help. The bass playing lead singer's voice was outstanding throughout the evening, sounding as strong as it ever has in his long career.

Some of the new arrangements also included stripped down versions of songs that worked well on 'Every Little Thing She Does Is Magic' and 'Wrapped Around Your Finger', which found Copeland jumping back and forth between his blue Tama drum kit and an impressive percussion set-up that included an array of cymbals, bells and timpanis.

The band, which is playing without backup singers or extra musicians this tour, was an tight unit all night.

On some songs, however, the slower-paced, jazz-influenced arrangements, such as with 'Don't Stand So Close To Me' and the middle portion of 'Roxanne', while vocally and musically sound, would have worked better at a Sting solo show.

'Invisible Sun' was another highlight and the most political moment of the night. During the song, the band, which is a supporter of the anti-poverty group Unitus, showed pictures of impoverished children from around the world on the large digital screen in the rear of the stage.

The Police finished the night with 'King of Pain', 'So Lonely', fan favorite 'Every Breath You Take' and a rockin' "Next to You."

While overall an excellent performance, the only small criticism is it wasn't long enough. While most bands play right up until the 11 p.m. curfew, The Police had people headed for the parking lot by 10:20 p.m. Their main set plus not one, but two encores took 100 minutes. For fans that have waited more than two decades, and some paying more than $200 for primo seats, it would have been nice to hear a few extra songs ('Spirits in the Material World?' 'Canary in a Coal Mine?' 'Bring on the Night?' 'Synchronicity I or II?')

But again, a small gripe in what was overall a hugely successful return and send-off for one of rock's legendary trios.

© Deseret News by Pat Reavy